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READ BOOK The Music Of Mauricio Kagel

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PostPosted: Mon 26 Jun - 21:18 (2017)    Post subject: READ BOOK The Music Of Mauricio Kagel Reply with quote

The Music of Mauricio Kagel
by Björn Heile

->>->>->>DOWNLOAD BOOK The Music of Mauricio Kagel

Mauricio Kagel was undoubtedly one of the major figures in the new music of the last fifty years. Growing up in the rich cultural atmosphere of Buenos Aires in the 1940s and '50s, where the writer Jorge Luis Borges was one of his teachers, he became a member of avant-garde circles as well as receiving a rigorous musical education. By 1957 Kagel had acted on the advice of Pierre Boulez to move to Europe to pursue a career as a composer. He quickly established himself at Cologne, the rallying point for young composers at the time, and became one of the leading, if controversial, figures at the famous Darmstadt summer courses. He embraced multiple serialism, aleatory technique and electronics, but he is best known for his pioneering explorations in music theatre, radio play, film and mixed media. Björn Heile charts Kagel's compositional development, considering the aesthetic and ideological issues the composer raises in his work. Focusing on Kagel's use of music as a means of intellectual inquiry, Heile shows Kagel to constantly question the nature of music and its role in society. Kagel's broadening of the concept of music to include theatre, film and other media, his disdain for purism as well as his subversive humour and sense of the absurd have challenged reified notions of music and art. Heile considers Kagel's background as Argentine immigrant to Europe (born to Russian-Jewish immigrants to Argentina) to situate the composer's aesthetic. What emerges is the breadth of Kagel's imagination and the multiplicity of contexts he drew from, which were both distinctive and, in the age of pluralist multiculturalism and globalization, exemplary. As Heile demonstrates, it was Kagel's enlarged notion of music as inherently multimedial that may be his most important contribution to new music, and on which his reputation ultimately rests.

The Music of Mauricio Kagel Björn Heile
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Burlington, VT: Ashgate, 2006Lieb (2001) Richard PAll rights reservedInvited by Walter Fink, he was the second composer featured in the annual Komponistenportrt of the Rheingau Musik Festival in 1991Film remained a practical interest after Kagel moved to Cologne in 1957 on a West German government scholarshipAnon

Kagel became a repetiteur at the famous Teatro Coln in Buenos Aires, and music adviser at the university, as well as being editor of cinema and photography for the journal Nueva VisinKunkel, Michael, and Martina Papiro (eds.)In this chapter, Heile looks at two significant early works, Anagrama, for voice and instruments (1958), and Transicin II (1959), a piece for piano and two tape recorders to be realized by a pianist and percussionistCKlppelholz, WernerIn Germany, the Netherlands and France, his music was repeatedly featured in major festivalsFor the tercentenary of JS Bach's birth in 1985, Kagel composed his Sankt-Bach Passion - a perfectly respectful re-enactment of Bach's own life in the manner of one of Bach's Gospel settingsClose Experimental[edit]Sign in via your Institution Sign in Purchase Subscription prices and ordering Short-term Access To purchase short term access, please sign in to your Oxford Academic account above

This PDF is available to Subscribers Only View Article Abstract & Purchase Options For full access to this pdf, sign in to an existing account, or purchase an annual subscriptionAttinello, PaulAnagrama, a large-scale piece for solo singers, speaking chorus and instrumental ensemble, was written only one year after Kagel's arrival in Cologne and remains one of the most striking and inventive pieces of its time; it may even have had an influence on Stockhausen's Momente and Berio's Laborintus IIKagel is survived by his wife Ursula and daughters Pamela and DeboraRobbins Landon (1992) Gyrgy Ligeti (1993) Claudio Abbado (1994) Harrison Birtwistle (1995) Maurizio Pollini (1996) Helmut Lachenmann (1997) Gyrgy Kurtg (1998) Arditti Quartet (1999) Mauricio Kagel (2000) Reinhold Brinkmann (2001) Nikolaus Harnoncourt (2002) Wolfgang Rihm (2002) Alfred Brendel (2004) Henri Dutilleux (2004) Daniel Barenboim (2005) Brian Ferneyhough (2007) Anne-Sophie Mutter (2008) Klaus Huber (2009) Michael Gielen (2010) Aribert Reimann (2011) Friedrich Cerha (2012) Mariss Jansons (2013) Peter Glke (2014) Christoph Eschenbach (2015) Per Nrgrd (2016) Pierre-Laurent Aimard (2017) n.d.)Heile states that The Music of Mauricio Kagel is both a traditional monograph with pieces examined in chronological order as well as a series of essays on different aspects of Kagel's musical style (pAlthough he characterizes Anagrama as a response to serialism's quest for integrating language into music where all sorts of improper vocal soundsWhat people are saying-Write a reviewWe haven't found any reviews in the usual placesAllrightsreserved

"Kagel, Mauricio." The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell.Saarbrcken: Pfau-VerlagBy Bjrn HeileFor Heile, Borges's impact on Kagel can be seen in the latter's "preoccupations with labyrinths, encyclopedias, cabbalistic concepts and techniques, and the idea of parallel realities governed by strange rules" (pLudwig Van (1969) Heile, BjrnBiography[edit]Decarsin, Franois 171bf2437f

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